162 Royalty-Free Audio Tracks for "Mit Den Hirten Will Ich Gehen"

German church hymn "Wer nur den lieben Gott lässt walten" (Gotteslob (1975) 295; Gotteslob (2013) 424)

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

Wer nur den lieben Gott lässt walten (Evang. Gesangbuch 369; Gotteslob (1975) 296)

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Aus tiefer Not schrei ich zu dir (Gotteslob (1975) 163; Gotteslob (2013) 277)

Mitten wir im Leben sind mit dem Tod umfangen (Evang. Gesangbuch 518; Gotteslob (1975) 654; Gotteslob (2013) 503)

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:23:1

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:9:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:7:4

Kommet, ihr Hirten; Evang. Gesangbuch 48; Gotteslob (1975) Hildesheim 816; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 735

Großer Gott, wir loben dich (EG 331) and "Ich ruf zu dir, Herr Jesu Christ" (EG 343) Music played from Stiftskirche, Tuebingen on Sunday morning

Tauet, Himmel, den Gerechten, Gotteslob (1975) Hildesheim 809; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 II

Tauet, Himmel, den Gerechten, Gotteslob (1975) Rottenburg-Stuttgart und Freiburg; Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 754

Tauet, Himmel, den Gerechten, Gotteslob (1975) Osnabrück, Regensburg; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 723 I; Regensburg 764

Ich bete an die Macht der Liebe, Text Gerhard Terstegen, Melodie Dmitri Bortnjanski (Evang. Gesangbuch Rheinland/ Westfalen/ Lippe 661)

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:69:1

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:2:1

Meinen Jesus lass ich nicht; Gotteslob (1975) Hildesheim 820; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 809

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop

Nicht nach Welt, nach Himmel nicht, Schlusschoral der Kantate Wachet, betet (BWV 70); Chorstimmen und Violino I und II

Als ich bei meinen Schafen wacht (Gotteslob (2013) 246)

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Vom Himmel hoch, da komm ich her, Gotteslob (2013) 237

Sveriges Radios folkmusikinspelningar. Finlandsresan 1959 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:16:6

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:36:5

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:43:2

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:45:8

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Vom Himmel hoch, da komm ich her, Evang. Gesangbuch 24; Es kam ein Engel hell und klar, Gotteslob (1975) 138; Dies ist der Tag, den Gott gemacht, Evang. Gesangbuch 42

Say i love you.

Ich habe draußen aufgenommen, wie ich über einen kiesweg gelaufen bin.

A zombie sigh made by me at my home.

A sample shout "and blood will flow" for the more creepy creative talents out there, recorded in a dry room with some sound effects (chorus, saturation, compression) to make the sound production-ready. In this sample reverb is already excistent.

Ich bin zurück.

This sound is a sound from scratch. Mit. Edu scratch is a imagine and program site! go right to my username by either copying and paste this on the search bar:https://scratch. Mit. Edu/users/spiderjockey200/ or go to https://www. Freesound. Org/people/sounderlover/ to find my home page and my identify (takes longer).

Gehen stadt absätze.

Walk in a german forest. Windy.

Gehen stadt metall.

Text: for the death of the king! no, fool! we're going to kill him! and mew too!idiots! there will be a king! i will be king!. . . Request from mudkip2016.

A end of summer rain/thunder recording on a balcony in the city of the hague, the netherlands.

Good thing your grandpa doesnt sound like this.

Heavy rain on a red 2006 fiat panda near the city of the hague the netherlands. On a small road to skip the late afternoon traffic jam on tuesday 29-05-2018.

Randstadrail tram / light rail train releases brakes and leaves prinses beatrixlaan station.

Listening to warning bells and tram going over crossing. Traffic with emergency vehicle sirens in background. Recording: olympus ls3 + okm binaural mics.

Wet towel applied to human body back. Available under mit/zlib/newbsd/zworks licenses too (all gpl/cc-by/cc-by-sa-compatible). You can download single sounds cut, cleaned and normalized at the link in the comments.

I shout/scream around or something. Me recording verbally straining myself? i don't know how to express what this is actually. . Available under mit/zlib/newbsd/zworks licenses too (all gpl/cc-by/cc-by-sa-compatible). You can download pre-cut files of each 'shouting' see comments.

Waiting at a pedestrian crossing at crossroads where more than one set of clicking traffic lights can be heard. Slow clicks mean waitn fast means cross. Den haag centre, netherlands. Olympus ls3 and okm binaural mics.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.